Melissa McGill's In the Waves engages the landscape, the winds, and a spirited team of community members to evoke rising sea levels and to emphasize our dynamic, collective power to do something about them.
, where she’s an associate curator), George suggested that Fearon come onboard. “The eclectic mix of artistic references Melissa made in our conversations made Dava"—short for Davalois—"the absolute right choice,” George wrote to me in an email. “Her Jamaican roots, long history as a dancer with Stephen Petronio’s company, andIn the Waves“We had a great meeting where she filled me in on the backstory of the work,” Fearon says of first connecting with Melissa.
“One of the things that I love that Dava said is, ‘With performances, it’s always a work in progress,’” McGill reflects. The process is never really over. “That is one of the lessons that I think is a really important part of this project, because it’s a vibrant, moving, evolving thing and it’s going to be different every day,” McGill continues. “We’re going to make tweaks and changes; sometimes the wind is will be more powerful, sometimes less. I mean,” she adds, “this is life outside.
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