“When the written words were broken down into faces, expressions and dialogue, the narrative revealed itself in a new light,” artist Mara Cerri says.
,” the first installment of the trilogy exploring the stormy, lifelong relationship between two Neapolitan girls — Elena Greco and Raffaella Cerullo — was an instant hit. The novel has already been adapted for the stage and screen. This year Italian artist Mara Cerri gave it a whole new life,” collaborated with Italian writer Chiara Lagani and translator Ann Goldstein to create the new edition. Here Cerri explains her process.
I used acrylic colors and ink on paper to create the panels. I tried to use color so that it would serve the narrative, modulating it with the scenes. Each frame was drawn on a separate sheet, so they could be assembled differently as the story developed. To draw Lila and Lenù, I needed to feel intimately, in my body and my hand, the physical and psychological differences between them — to discover how their different temperaments live within each of us.
The drawing style has the materiality and density of Ferrante’s writing. It engages intimately with the environments in which the story is set. The Neapolitan neighborhood, the buildings’ walls, the texture of the streets are one with the characters who inhabit them. Yet, childhood and wonder pierce through like beams of light, revealing blue skies.This is also what happens on Enzo’s face, the boy who hits Lila in the head with a rock.
Chiara has often played Elena Greco onstage with her company Fanny & Alexander. On many occasions, it was her voice that set the temperature and internal movement of the drawings. She selected scenes from the book with razor-sharp precision. She learned to work with the silences and pauses that drawing requires, always with the utmost respect and dedication to the original novel.
The scene of the dissolving boundaries is a masterpiece in the novel. Ferrante traces two planes of reality: the colorful fireworks that explode in the sky conceal the brutality of the gunshots. Lila notices this first. The fireworks are fluorescent meteors that shatter the sky and tear the veil of reality. Lila’s face becomes that of a porcelain doll, irreparably cracked. The symbolic elements of the novel came together spontaneously in my hands.
Brasil Últimas Notícias, Brasil Manchetes
Similar News:Você também pode ler notícias semelhantes a esta que coletamos de outras fontes de notícias.
Read Taylor Swift's Prologue To '1989 (Taylor's Version)' In FullElena Nicolaou is a senior entertainment editor at Today.com, where she covers the latest in TV, pop culture, movies and all things streaming. Previously, she covered culture at Refinery29 and Oprah Daily. Her superpower is matching people up with the perfect book, which she does on her podcast, Blind Date With a Book.
Consulte Mais informação »
Algorithmic Wizardry: Exploiting Graph Theory in the Foreign ExchangeFollowing my previous endeavors, I keep playing with graphs and graph traversal algorithms in searching for a way for profitable currency exchange.
Consulte Mais informação »
A novel sparse synthetic aperture radar unambiguous imaging method based on mixed-norm optimizationCompared with traditional matched filtering (MF) based methods, sparse synthetic aperture radar (SAR) imaging could obtain high-quality images of sparse surveillance regions from down-sampled echo data. However, sparse SAR imaging still faces several challenges, especially in the fast recovery of large-scale scene and azimuth ambiguity suppression.
Consulte Mais informação »
Novel AI Method Shows More Human-Like CognitionA new AI technique endows neural networks with more human-like language generalization ability—a milestone achievement in pursuing artificial general intelligence.
Consulte Mais informação »
Novel device promotes efficient, real-time and secure wireless accessResearchers have created new technology for more accessible, real-time wireless connectivity.
Consulte Mais informação »
Sofia Coppola Says TV Show Axed by Apple Over Unlikable Female LeadSofia Coppola wanted to adapt an Edith Wharton novel into a five-hour Apple TV+ series.
Consulte Mais informação »