Creator Justin Spitzer breaks down the workplace sitcom’s recalibrated second season and putting a corporate spin on the Superstore formula.
), and Dori — are firmly established, so the writers have more room to play them against one another for laughs. Their desperation to restore Payne’s profits and public image allow for biting jokes that laser in on the moral compromises corporations make to survive.
They’re not good or evil. They have a job to do and they have to do that job, and sometimes that means doing things that aren’t always morally pure. I don’t think there’s very much we’ve shown where I would go so far as to use a term like “the banality of evil.” Last season, there was a problem with the car, but they weren’tSome people are gonna die, and we don’t care, and we’re gonna do it anywayThere may be a problem, but we’re not sure.
The genesis for that episode was that there was this big letter showrunners and various writers wrote after theI agree with the values here. I’m pro-choice. But the language of this is very harshSo I think I had that in mind. This is the third show you’ve worked on featuring a “will they, won’t they” relationship at its core. It’s a sitcom trope that can err on the side of annoying, but you’ve had a lot of success avoiding that. What’s the key to making one work?
That goes back to what I was saying with the obstacle. For the longest time, after they all found out that they were keeping their jobs, I was going to leave it indeterminate. But then it just kind of felt like,. I’m out of story lines for why the two of them can’t try getting together.
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