National Geographic’s “A Small Light” takes the well known story of Anne Frank, the Jewish teenager who hid in a cramped Amsterdam attic with her family during the Nazi occupation…
” takes the well known story of Anne Frank, the Jewish teenager who hid in a cramped Amsterdam attic with her family during the Nazi occupation, and presents it though a new lens.
The Amsterdam Museum‘s exhibit on wartime fashion was his biggest guide where he was able to access clothing from the era. He adds, “I looked at what kids in Williamsburg or London were wearing, just to find places where they overlapped, and that’s the world I tried to live in with Bel.” Simonelli’s biggest challenge was finding fabrics that looked and draped like they were period-accurate to the 1940s. “Everything was rayon crepe, and there’s nothing else like it. It drapes and swings beautifully, but you can’t find it,” he says.
However, by the end when the Allies come to free the Dutch, there’s another shift. He says, “The color explodes back. Particularly orange, red, white and blue, which are the colors of the Dutch flag.” He did that to reflect hope and “was a simple way of reintroducing color.” Miep’s character, Marx says, was a modern woman for her time. She wasn’t married, she didn’t have a solid job and she was still living with her family. Says Marx, “She is a hero and was so humble, but I didn’t want to paint her in an overly heroic way. Her sound palette draws from 1930s jazz, Belgian jazz guitarist Django Reinhardt as well as Tom Waits and Andrew Bird.”
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