“House of Gucci,” Reviewed: Lady Gaga Steals a Style-Challenged Yarn of the Fashion World

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“House of Gucci,” Reviewed: Lady Gaga Steals a Style-Challenged Yarn of the Fashion World
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In spite of his superb cast, Ridley Scott reduces a fascinating real-life story of family conflict, financial chicanery, and revenge into mere anecdotes.

Start with the accents. Ridley Scott’s new movie, “House of Gucci,” is about one of Italy’s most notable and notorious fashion families, but it is an English-language movie starring an extraordinary cast of American and British actors—, Lady Gaga, Al Pacino, Jeremy Irons, Jared Leto, and Jack Huston—who speak in heavily Italian-accented English. This decision renders the movie ridiculous from the start, like a Monty Python parody of the fashion world.

The story is centered on the aloof scion of the Gucci clan, Maurizio , who, in 1978, is a cheerful, serious, carefree law student in Milan, studious, reserved, elegant, relaxed, zipping around town on a bicycle, a clip around the ankles of his well-tailored trousers. Patrizia Reggiani is the office manager at her father’s Milan trucking company, where she shows up in tight dresses and high heels and endures the catcalls of the truckers hanging around the yard.

Patrizia shakes up Maurizio’s life in an irresistible whirlwind of sex and fun. After he introduces his new girlfriend to his father, Rodolfo , the older man makes the cardinal mistake of the disapproving parent: he not only expresses his disapproval but threatens to cut Maurizio off, and in so doing forces the young man’s hand. Maurizio proposes to Patrizia, moves in with her parents, and takes a job at the family trucking firm, where he wears a uniform and makes friends with other working men.

The movie’s essential hollowness is all the more dismaying for its absurdly glorious moments of pop-iconic grandeur—most of them sharpened by Gaga’s screen-commanding gestures. Scott revels in such melodramatic touches as Patrizia holding up her hand with a spring-loaded intensity to flaunt her wedding ring, and—in a sublime bit of chutzpah—striding with the air of a conqueror into the family home after the murder is carried out.

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