'It went down to that kind of granular detail.'
The Big Picture As we gear up to binge the highly anticipated live-action One Piece series, it’s safe to say that fans will keep their eyes peeled for manga and anime Easter eggs throughout all eight episodes. And the show with be chock-full of them, as production designer Richard Bridgland told Collider's Mike Thomas in an interview.
During the interview, Bridgland singled out a location that will certainly have fans overwhelmed with its elements: The unforgettably huge mansion of Kaya . The production designer also revealed that the team “really went to town” when coming up with this set in particular, and “put in those little details” that you’ll need to watch multiple times and freeze-frame to find.
“We did a lot of stuff there where, obviously, we had the snail phones that our wonderful creature department built, but in the hallway, I created a hallway that was all Trompe-l'œil murals.
Attention to Detail Seems to Be a Rule of Thumb in One Piece Live-Action Series Even though the amount of references and Easter eggs are fun to put in place, Bridgland also underscores that there is an important aspect to this level of attention to detail. According to him, “not only do all those details go to make the world feel very One Piece, but also made the actors feel completely immersed in the world.
From what we know so far, Netflix brought One Piece to life in every possible way, with life sized ships like the Going Merry and the Baratie built on Cape Town and a commitment to make it all look as real as possible within its own fantasy setting. The cherry on top was, of course, Eiichiro Oda’s participation as executive producer: The franchise creator approved everything that we see on the screen throughout the series’ eight episodes.
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