'Hawkeye' hasn't made waves. Has Marvel TV lost the magic?

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'Hawkeye' hasn't made waves. Has Marvel TV lost the magic?
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Why Marvel has struggled to recapture the magic of 'WandaVision'

, series creator Patrick Somerville has made a pandemic-set drama in the midst of a pandemic — albeit a less cataclysmic one than the one on the page and screen. Staff writer Ashley Lee spoke to Somerville about his prior TV credits, his own role in a fallen society and what apocalyptic fictions he loves.Watching Damon Lindelof and Tom Perrotta navigate that adaptation is really where I learned how to be a TV writer myself.

This composition, from the Season 3 finale of “Succession,” has been drawing comparisons online to Renaissance art. Pictured are Kieran Culkin, left, Jeremy Strong and Sarah Snook. may have concluded with the all-time “If looks could kill” champion, but the moment that’s set the internet alight since Sunday’s finale is depicted in the above still, in which Roman, Kendall and Shiv Roy come together after a season of especially brutal backbiting.

“They’re communicating through their body gesture as much as through the words they speak,” he adds. “And that’s key to painting, of course, because we can’t hear people speak, so we have to understand what they’re thinking through their facial expressions and gestures. It’s often very subtle, because there were rules about decorum in Old Master painting, where you didn’t really want to show peopleis good at that: Sometimes people freak out ...

In Rand’s view, great TV and cinema use “the techniques of the Old Masters to compose a scene, create the tableau of the figures to enhance the drama and to bring depth and emotional richness to it,” which nods to the practice ofor living pictures made with real-life actors or models. As for director Mark Mylod, though, the inspiration was simpler: his and the actors’ well-honed instinct, or “emotional intelligence.”What’s nextNicole Kidman and Javier Bardem in “Being The Ricardos.

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