Harley Weir talks about her love of Nobuyoshi Araki and the Pre-Raphaelites, and that time she nearly interned for a female pornographer
on the phone, she had just been caught in a giant hailstorm. It was the middle of July, and she was in awe of the size of the hailstones. Eager for me to see, she picked a few off the ground and took a quick iPhone photo of her clutching a collection of them. However, what struck me from the photo she sent to me wasn’t the hugeness of the golfball-sized hail, but how beautiful the image was.
HW: I’ve been lucky to have always had art available to me. I remember the first time I saw what I thought was great art: it was a postcard up in my uncle’s houseboat of Hylas and the Nymphs. I remember being besotted by the image of the water nymphs gently dragging Hylas into this pond.object that I remember I found really, really captivating.
eople tell me I look a bit Pre-Raphaelite. Maybe that’s also why I connect to it, that very old-fashioned stereotype of beautyBella Donna byHW: The Spice Girls were a great influence on my taste … unfortunately! I remember I used to collect Spice Girls posters, and I hid them in a secret closet. The Spice Girls were a big thing for young girls at the time. The first female heroes of my generation.
HW: I think I was so busy that I didn’t really have a chance to realise what I was up to, but I was really grateful.MA: Was there anything in your work that you felt you wanted to explore or say when you were starting out?. I was intrigued and excited about. In the beginning, when I first started, I primarily took photographs of guys. Most of my projects consisted ofMA: What photographers’ work were you looking at during that time?. I used to love Sally Mann and Peter Beard.
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