Hair and Makeup Emmys Contenders On Creating COVID-Safe Looks

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Hair and Makeup Emmys Contenders On Creating COVID-Safe Looks
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The pandemic couldn’t stop these artists’ creativity but required extra resourcefulness. “Black-ish”(ABC) NOMINATED FOR CONTEMPORARY HAIRSTYLING FOR SEASON 7, EPISODE 6, “OUR WEDDING DR…

Barry Lee Moe, “Pose’s” hair department head, and Sherri Berman Laurence, the FX drama’s makeup department head, both referenced “Paris Is Burning” and talked to members of the real-life ballroom community to ensure they accurately represented them for the series. The two-part series finale came with a little extra weight since it had them jumping into the future to showcase characters at more elevated places in their lives, as well as creating a water-filled homage to Diana Ross during a ball.

Adds Moe: “I built eight wigs for that moment. When Mj [Rodriguez] started spinning across the ballroom floor and the water went flying everywhere, we were all screaming with joy from the director’s village.”NOMINATED FOR VARIETY, NONFICTION, REALITY PROGRAM HAIRSTYLING AND VARIETY, NONFICTION, REALITY PROGRAM NON-PROSTHETIC MAKEUP FOR “THE PORK CHOP”“RuPaul’s Drag Race” hair department head Curtis Foreman notes pivoting to work in the pandemic was a challenge with many stores shuttered.

Getting the cast back together in person, and welcoming rotating guest hosts, such as Elon Musk, whose episode is Emmy-nominated in the variety, nonfiction, reality program non-prosthetic makeup category, meant pulling out all the stops. “We began to 3D scan hosts and cast,” Zakarian says. “The host or cast member could be scanned from a safe distance, never being touched, all done in under 10 minutes.

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