H.E.R. Thrills Hollywood Bowl Crowds With and Without LA Phil’s Strings Attached: Concert Review

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H.E.R. Thrills Hollywood Bowl Crowds With and Without LA Phil’s Strings Attached: Concert Review
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“You know I won an Oscar, right?” H.E.R. asked at the Hollywood Bowl — reminding the audience that however blessed she was to be selling out two nights at the nation’s most storie…

highlight of her year. That would be her Academy Award win, at 23 , for “I Will Fight for You,” a song that in this setting lacked the beret-wearing army of dancers who joined her in performance on the Oscar pre-show telecast, replaced by a partially mask-wearing brigade of string and horn accompanists there to help fight the power, as it were.

As Friday’s show got underway shortly after L.A.’s magic hour, it soon became clear the format for the H.E.R. + Phil shows would be structured differently than most of the shows that feature pop performers fronting the Philharmonic .

That 25 minutes of music was just enough to satiate the Phil-partial portion of the crowd before H.E.R. emerged to open her part of the show with the work of another Black composer — Marvin Gaye — and a choice, apparently first-time cover of “Inner City Blues .” In co-writing “I Will Fight for You,” H.E.R.

So far, so magnificent. But when the second set began with H.E.R. trading her red heels for sneakers and the orchestra gone from the premises there was a jarring level of cognitive dissonance as the Bowl’s PA system was filled with the jolting sound of pre-recorded tracks. As the Act 2 opener “We Going Crazy” — one of two songs she participated on from DJ Khaled’s recent album — began, H.E.R.

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