Guillermo del Toro’s ‘Pinocchio’ Carves a New Path: An Exclusive First Look

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Guillermo del Toro’s ‘Pinocchio’ Carves a New Path: An Exclusive First Look
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Guillermo del Toro’s ‘Pinocchio’ is a bit gothic, a touch monstrous, and more philosophical than you might imagine. “It tackles very deep ideas about what makes us human,” he tells VF.

movies) is still too blinded by grief to realize that his wish has come true. “He begs for another chance at being a father, but he doesn’t recognize that the essence of his own child comes back in the form of this indomitable boy,” the filmmaker says. “The main conflict within Geppetto and Pinocchio is that Geppetto wanted Carlo, who was a very well-behaved, very docile kid, and he doesn’t quite get Pinocchio, who is rowdy and wild and exuberant.

Sebastian will need more than one lesson about getting out of the way—and he gets more than one lesson. Fortunately for him he is a survivor. “One of the things I liked in the book when I read it as a kid is that the cricket keeps getting killed over and over again and crushed and maimed,” del Toro says. “In our story, the cricket gets smushed often, but it’s a journey also for the cricket to find love and humility.

The nefarious Count Volpe. “This is the moment that comes in every artist’s life where you sign a contract that you shouldn’t,” del Toro says. “The three main villains in the original story are the cat, the fox, and the puppeteer, and we wanted to fuse them into one,” the director says. “This is a puppeteer that has regaled the courts of Europe, and now is traveling in a down and dirty little carnival. In Pinocchio, he finds the hope to be a king, again, you know? To recreate his grand, golden years.”

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