'This exhibition is simultaneously a fabulous testament to the vitality and diverse excellence of the Print Studio and an unarguable statement (if it were needed) of the impressiveness of Scotland’s visual artists in the 20th and 21st centuries'
THE Glasgow Print Studio celebrated its 50th anniversary last year. As this excellent exhibition attests, it has, in those five decades, been responsible for an extraordinary array of brilliant images.
As we can see in the Kelvingrove exhibition, the members and associated artists of the Print Studio have created work in every form of printing, from woodcuts, to etchings and screenprints. This exhibition is simultaneously a fabulous testament to the vitality and diverse excellence of the Print Studio and an unarguable statement of the impressiveness of Scotland’s visual artists in the 20th and 21st centuries.
The artist’s archetypal human figure – unique to him, but not observably a figure of self-portraiture – reclines dreamily, nature and culture surrounding him as colourfully and vigorously as in any of the artist’s paintings. Harry Magee’s Towards the Light is a darkly evocative Glasgow cityscape that contrasts with Seher Shah’s works of architectural abstraction, which would have been worthy of the Bauhaus.
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