“You have to feel art. It demands a physical response”
displayed his love for glamour, fantasy and spectacle from a young age. “He begged his mother to buy him a paper doll set,” says Lissa Rivera, curator of, now on view at the Museum of Sex in New York. “Despite the restraints on their financial situation, his mother bought one for him. Using his imagination, he turned an old cereal box into a technicolour masterpiece befitting a Busby Berkeley musical for the dolls.
Bidgood got his start performing as Terri Howe at Club 82, an East Village drag club, when it was illegal for men and women to cross dress on any occasion other than Halloween. “I always wanted to be on the Broadway stage,” Bidgood recalls.
A stylistic precursor to Pierre et Gilles, David LaChapelle, and Steven Arnold, Bidgood’s work stands apart from his contemporaries, who embraced the mid-century tropes of the all-American male.
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