From the Archive: Julianne Moore Gets Real About Independent Cinema

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From the Archive: Julianne Moore Gets Real About Independent Cinema
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Cinema is having a renaissance 🎥❣️

Julianne Moore is youthful, girlish even, if the word can be used to describe a smart and engaged woman in her 40s. She talks politics and liberal positions on intervention, in Iraq and Darfur . She sizes up the climate of the independent film industry in America right now – “gambling” is how she describes investors backing small projects with their fingers crossed behind their backs for box office returns.

The Baekelands lived the clichés of the beautiful and the damned. The couple forced their young son to read from the Marquis de Sade at dinner parties to improve his stutter. Barbara attempted suicide four times, and Brooks ran off with the only girlfriend Tony ever brought home. The real horror, in the end though, was incest. Barbara, who was often wildly inappropriate, slept with Tony in an apparent attempt to cure him of being gay.

Moore’s own childhood was less settled, her father was in the army and the family was often on the move. She moved to New York in 1983, waitressing and working in theatre before landing the part of twins on a daytime soap. Back then, she had the “Lucky Way”– a system of magical thinking – a daily ritual in which she would leave the house at the exact same time every day, adjusting her strides as she walked to make the crossings on green lights.

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