‘Forever Young’ (‘Les Amandiers’): Film Review | Cannes 2022

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‘Forever Young’ (‘Les Amandiers’): Film Review | Cannes 2022
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Valeria Bruni Tedeschi’s fifth feature follows a group of students admitted into Patrice Chéreau's Théâtre des Amandiers in Nanterre in the 1980s.

Patrice Chéreau fervently believed in actors. Performances were a production’s aorta, its life source, its. Guided by this principle, Chéreau, the legendary French director who died in 2013, used his stage work and films to agitate, wrestle and contend with the mystical relationship between actors and their characters.

His most rigorous application of this philosophy might have been during his years as director at Théâtre des Amandiers in Nanterre, France, where he founded the acting school and film studio. Appointed in 1982, Chéreau spent a decade at Amandiers, shaping a coterie of actors. He was a combustible figure; his temper easily flared, his demands famously exacting. But the school was an unparalleled training ground for aspiring performers.

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