In her new memoir Making A Scene, Wu describes a toxic showrunner on Fresh off the Boat who weaponized representation—even though he was also Asian American.
In the chapter “You Do What I Say,” Wu discusses her many interactions with a senior producer, whom she identifies only as M—, while filming the first season of the show, which range from uncomfortable to downright violating.
He subjected her to constant sexual harassment: badgering her for “sexy” selfies late at night, pressuring her to attend social events with him, and even touching her inappropriately at a sporting event. When she didn’t act the way he wanted her to, M— would either insult her; subject her to long moments of “punitive silence;” or make off-handed comments that made her feel bad about herself .But perhaps M—’s most powerful weapon was the pressure of Asian American representation.
During one particular conversation, M— said to Wu, “You know what the best thing about producing this show is? That I can fuck whatever aspiring Asian actress I want to.” Simultaneously making Wu feel grateful that she was the one cast in her role and reminding her that she was easily replaceable because of the scarcity of shows likeM— left Wu with no other choice than to blindly obey him for fear of the consequences: replacement, or worse.
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