'I’m just like really, we’re still believing the strong man is the person that’s going to save us all? How very passé.' An interview with First Cow director Kelly Reichardt
Kelly Reichardt loves an animal. From the heartbreaking friendship between Wendy and her dog Lucy in their namesake film to the weakened oxen of, Reichardt’s films often hone in on fulfilling relationships between humans and animals., Reichardt’s latest film, out March 6, is what she calls a heist movie with a wide-eyed cow at the center.
It was like trying to remember something forever and then you look away and the answer appears, somehow it just sort of came together. A lot of it had to do with the creation of the cow and the keeper and focusing on the 19th century part of the book because the book goes in between 1980 and 1820s. Once we had the cow, we could kind of walk from there. But all the themes from John’s book really did reemerge through the beaver trade and the idea of early capitalism versus the natural world.
I’m not really trying to make pointed political films. I mean, obviously, we’re politically minded people, but I try to stick with the story, but it’s really hard to restrain yourself in this moment. [was getting back to this point of, aside from the First Nations, everybody’s an immigrant.But you’re not really thinking about the political implications of your movies as you’re making them.
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