As the first movie in the Marvel Cinematic Universe to be released after the shoot-the-works finale of the “Avengers” saga, “Spider-Man: Far From Home” gets to test-drive a …
is sly enough to play attitude as armor; we see the cool and the cover-up. The plane ride over to Venice is a mini cheeseball rom-com in which Peter, seated rows away from MJ, has to watch her connect with Brad Davis , a kid in his class who died and came back to life during “the blip” — the murder of half the human race, and the reinstatement of same, that the last two “Avengers” movies were about.
In Venice, Peter and his high-school chums are confronted by what is showcased as the film’s apocalyptic villains: a series of humongous FX creatures known as the Elementals, who come from another world, or from the elements , and take the form of a water monster made entirely of surging, crashing waves that rise up out of the city’s green canals and destroy everything around them , and then, in Prague, a spectacular beast of roaring fire that looks like the spectacular beast of roaring fire...
Quentin, it turns out, isn’t quite what he seems, but that’s a routine twist. The real twist is that reality, in “,” isn’t what it seems. Peter, who tries to hide the fact that he’s Spider-Man by donning an black ninja version of his costume , is fighting a magic trick of evil. It’s as if he’s in a matrix he has to unplug from — and when he does, the film almost seems to be commenting on the fanciful essence of comic-book cinema.
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