In honour of Vogue World: London’s ‘My Fair Lady’ tribute, revisit Beaton’s own behind-the-scenes photographs of the Broadway and West End productions, below.
, scouted the photographer for the role of costume designer before’s Broadway debut in 1956. As the former put it, “His very look is such that it is difficult to know whether he designed the Edwardian era or whether the Edwardian era designed him.” Beaton had, in fact, spent his childhood collecting postcards of turn-of-the-century actresses and browsing, a magazine first published in 1901 and devoted to black-and-white portraits in the style of Sargent and Whistler.
At Cecil’s request, more than 10,000 pearl buttons were detached from the curtains that once hung in his Wiltshire retreat of Ashcombe House, shipped to America, and repurposed for the Pearly Kings and Queens shepherding Alfred Doolittle “to the church on time”, while the society darlings that Beaton had previously captured for the pages ofproved invaluable sources of information about Edwardian fashions.
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