How A Quiet Place Part II brings back John Krasinski and Emily Blunt with a bang
), walks about town. First, a strange, muffled noise comes over the radio station. Then they arrive: giant, vicious, spindly mutants that hunt through sound. What follows is a chaotic sequence that Krasinski, who returns to write and direct, shot in a single, uninterrupted take. “[Everything was] choreographed down to a fine art,” says Blunt, 36, who literally had a front seat to the madness of cars crashing, people fleeing, and a runaway bus barreling down the street.
. The first installation offered hints about how these beasts arrived on the planet, but not much beyond the film’s premise: a family living in silence to avoid detection. Through this new scene, “you really get a sense of what the world was and what the family was before it all happened,” Blunt says.. Paramount met with other filmmakers to expand on the movie that made them $340.9 million worldwide, against a reported $17 million budget.
The concept was so compelling, Blunt says “it became very apparent that we’d be idiots not to do it. Ultimately, you will never catch the [same] lightning in the film, but there is a bigger world.” Adds Krasinski: “[In] sequels you have a hero or villain that you have to bring back and put in a new world. Well, the converse is true for us. We have this amazing world that you can put any hero or villain in.”, plot details are hush-hush.
The monsters still roam, but the Abbotts must tiptoe beyond their now-destroyed home. The outside world is something Krasinski hinted at in the first film when the characters spot multiple fires in the distance. “Even not knowing there would be a sequel, I just thought we have to let people know that there are other people alive,” he says.
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