In a recent conversation with THR, Stephanie Hsu discusses the mother-daughter story at the center of EverythingEverywhere and how it relates to her own life, how she was able to be a part of ShangChi and more
are so weird. They’re self-proclaimed maximalists, and I think we play the same way. We’re not afraid to get weird. We’re not afraid to try every idea and be completely surprised by what happens, and then we fine-tune from there. When I walk around, I do know that I’m a weirdo, but I think I have always been a very socially accepted weirdo, which I think they are, too.
I think the story between the mother and daughter is something that I and a lot of mothers and daughters who have seen the movie really relate to in this sort of in-your-bones way. It’s so complicated and messy that you can only make art about it because in life, it’s just a whole process. It’s a whole life’s journey to heal or to build. So I would definitely say the mother-daughter story. I’m a daughter of an immigrant and the amount of sacrifice that a mother does for her child is immense.
You touched on this already, but the readers will probably want a bit more detail. So what are the challenges of weaponizing sex toys in a hallway fight against Michelle Yeoh? You’re the only person on the planet who will ever have this experience. I have to admit that I didn’t recognize Ke Huy Quan until after the fact. Did you have a moment where you said to yourself, “Wait, he’s been retired for two decades, and he’s still able to give this good of a performance?”and the Temple of Doom
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