“I think that our stories matter,” Eva Longoria says. “I love that I got to define what a hero looks like in a movie.”
.” It’s an exploration of identity, and it’s also so much more than that. What did this search mean to you on a personal level?
That Mexico is not just tacos and tequila. The same people that are saying “Taco Tuesday!” are the same people that are saying “Build that wall, build that wall!” I want you to connect the dots: Taco Tuesday is a beautiful thing, because it comes from a beautiful country made by, invented by, beautiful people.Oh, my God, the stories. There was a woman in Mexico City who gets on a bus three hours one way, and three hours another way, every day, to sell her tlacoyos. That’s dedication.
He was very fascinating. He had written two books, and once I went down the Richard rabbit hole of speeches I was, like, “God, he’s so funny, and he’s witty. He’s super smart, but he’s not educated. And I love that voice.” His tone was so specific. And so, I immediately said the script has to be in his point of view, everything’s going to be voice-over, it’s going to be very Scorsese, very Adam McKay. I wanted it in his perspective, because it’s his story.
Also, surrounding myself with amazing collaborators—that’s the smartest thing I ever do, is hire smarter people than me. We built this factory. We built all these machines, and then you see the movie you’re, like, “Oh, my God. Did you guys find a Frito factory?”single machine. There were Cheetos all over the place. It was crazy. Even when Richard came to set, he’s, like, “I can’t believe how correct and accurate this is. You have a tumbler, you have the extruder.
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