You’d never guess what the Emmy-nominated music supervisor for edgy TV shows like Donald Glover’s “Atlanta” and, most recently, the Drake-produced “Euphoria” chills out to during her downtime. “On …
” premiered. The sheer volume of songs in Sam Levinson’s show about at-risk teens required a sign-off from 350 separate parties. “We are living in their world and there’s always music around teenagers,” says Malone. “Music is an important character in the show.” In fact, music arguably plays a bigger role than
“A few months ago when I was in the thick of it, I had no idea how this show was going to be received,” Malone says. “I just had my head down in the grind. New problems had to be solved on a daily basis and I was going through sometimes 20 songs for a scene just to find the right one. I was in so deep that I could not see outside of it.
There are moments like that scene in “American Psycho” when Patrick Bateman murders his coworker with an axe while playing “Hip to Be Square” by Huey Lewis, who was reportedly not happy about the use of his song. Zendaya seemed to have given up singing for acting, so it was a surprise to hear her big musical number at the end.
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