'Often, you work so hard on things, and then it comes out and people go, 'Yeah, all right.' And you go, 'Fuck, doing that nearly killed me. It took a huge part of my life out of me.'' — _richardmadden
MADDEN: I was completely fascinated by the process of how a film works, and I still am. People ask, “How do you prepare for a role?” But every single job is completely different in terms of the approach.
MADDEN: “King of the North! King of the North!” I still get that a lot, but it’s in a beautiful way. I’ve been lucky that the characters I’ve played are ones that audiences have liked. There are actors on that show who people walk past on the street and yell, “Bitch!” People have a fondness for my character. I died too young.JOHN: It must have been fun to do. It seems to me that kind of series has a lot of camaraderie.
MADDEN: If you come away from the theater or a television series or a film with one person you’re still in touch with, then you’re winning. That’s more than average.. When I first started watching it, I watched an episode a night, and then I was going away for Christmas and thought, “I can’t not see the whole thing.” So I watched three hours. It was a riveting series that really catapulted you into another kind of stratosphere.
MADDEN: Oh, God, every day we had arguments. I fucking hate compromise. Compromise is a word I cannot stand. JOHN: It actually makes it even better. But it must be difficult to go up there without people sometimes picking a fight, like in the pub. JOHN: When I first became successful, I bought a house in L.A. that I loved. It’s good to have chop and change because cities have energy, and they lose the energy, and then they come back. At the moment, I feel L.A.’s got a lot of energy. But it can be New York, L.A., London. It’s definitely not Paris. Paris is a beautiful city but it doesn’t have energy whatsoever. Berlin has energy.
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