In a utopian Manila in a not-too-distant future, strange rolling blackouts cast an almost impenetrable darkness over city streets. When people start to go missing during the night, strict curfews a…
In a utopian Manila in a not-too-distant future, strange rolling blackouts cast an almost impenetrable darkness over city streets. When people start to go missing during the night, strict curfews are issued with equally strict punishments levied against those that would violent them.
“Midnight” is Dayao’s second directorial feature. His 2014 debut “Violator” played in competition at several major international festivals including Karlovy Vary, Mumbai and Osaka, taking home a handful of awards. This may be my fastest project to come together. I lashed together a deck the night before a pitch for another project and snuck it in at the last minute without a script and really without a clue where the story would go beyond the basic premise, but it was greenlit. Eight months later, give or take, we were filming. I grew up thinking films were made this fast because where I grew up, films were made this fast. But it was still quite the headrush. I wish it happened all the time.
The phrase “blind spots” is repeated throughout the film. We get bits and pieces of the story, of the world and its rules, but never a full explanation of what’s happening. How did you decide what you wanted to share and answer about the threats in this film, and what to hold back and leave unexplained?
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