You don’t realize how rare repugnant women are on screen until you meet a character as menacing and unlikeable as Cate Blanchett’s latest invention, Lydia Tár. Here's everything we know so far about the buzzy new film:
You don’t realize how rare repugnant women are onscreen until you meet a character as menacing and unlikeable as Cate Blanchett’s latest invention, Lydia Tár.—which premiered today at the Venice Film Festival and hits theaters in October—is an American conductor widely seen as a generational great; an EGOT who has led just about every noteworthy orchestra around the globe. She guest lectures classes at Juilliard. Fans stop her to gush about her work.
Yet there are strange ghosts from her past, and a few from her present, threatening to derail her success—specters, it seems, of her own making. In his masterful script, Field alludes to these ghosts in fleeting moments. There are smatterings of attractive and talented young women who continually surround Lydia; glances from her present lovers to potential replacements; and ceaseless emails from an old protégée desperately trying to get back in touch.
Indeed, Lydia’s own fight for her position, as a woman in a male-dominated industry, is slowly losing relevance to her public brand; from her vaunted vantage, she struggles to see the struggles of others. That scene, and the opinions she spouts within it, introduces us to’s compellingly ugly core; how that same tunnel vision applies to her behavior within the industry is what transforms the film into a spiraling psycho-thriller.
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