If the six projects presented at a recent TV documentary pitch session held at the Unifrance Rendez-Vous in Paris share relatively few thematic or stylistic points in common, when taken as a whole,…
If the six projects presented at a recent TV documentary pitch session held at the Unifrance Rendez-Vous in Paris share relatively few thematic or stylistic points in common, when taken as a whole, the diverse titles relay two incontrovertible truths: While advances in filmmaking technology now offer industry creatives unprecedented freedoms, when it comes to hooking the audience, nothing beats a good story well told.
Due for delivery in 2023, the four-part series will use these new technological assets to track shipwrecks embedded deep on the ocean’s floor, recreate the Cro-Magnon diet and explore daily life in Pompeii and Herculaneum.Introducing the next pitch project, the dual-installment doc “For the Love of Sharks” , France TV sales chief Julia Schulte argued that in some cases, spectacle wasn’t enough.
To do so, the film will center around three specific “characters” – one a hammerhead, one a great white, and one a whale shark – emphasizing their roles as mothers and caregivers as they migrate across the Galapagos. “These ladies are not killing machines,” said Soullier. “We think that maternity is the most powerful tool, the most universal, to create bonds and emotions with the viewers.”
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