“I thought, what a genius thing to do. Now I have such a brilliant idea of what this ballet could be.”
, who designed costumes for the piece. Lovette chose Posen based on her admiration of his gowns, from afar. Unlike collaborations of the past, where designers simply followed instructions, Posen played an active role in her story vision.
LOVETTE: Exactly. So things like that kept happening. My conductor was going to chant to the music but he didn’t want to do it, so my leading dancer ended up doing it. Things just keep unfolding in ways that I wouldn’t have expected. Literally this idea came to me three weeks before I started.LOVETTE: I didn’t have to. I think that’s another thing that’s serendipitous about this too.
KIRSCHBAUM: Similarly to Zac and for a newer generation, Karinska worked quite closely with Balanchine.
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