You will never find healing when you are isolated from those that help you feel cared for, says organizer Kami Beckford.
. The lawsuit alleges WCC’s staff was acclimated to being deliberately indifferent to the medical complaints made by or on behalf of incarcerated opioid users because their policy was to deny medically appropriate care to people suffering from withdrawal.
Despite these atrocities, the architecture industry continues to design carceral spaces because of the capitalist imperative to profit, often at the expense of the most marginalized. “Architectural design is really service-oriented. So, you’re serving the client. And the client is the person who has the money and resources and power for these types of projects,” said Heer, the designer with DAP. “In these cases, it would be the DOC [Department of Corrections]. It’s not actually servicing the people who are going to be using that space. The folks who are incarcerated and caged in these spaces are tied to this system of profit. And it is extremely profitable.
Ultimately, DAP aims to subvert the power imbalance inherent within the design industry by relinquishing their gatekeeping power and distributing it to the people most affected by their designs. Designers can accomplish this,, by immersing themselves within a community and empowering long-standing residents and stakeholders to take control of the design process.
“Communities themselves have a really clear vision about what they need,” Beckford said. “In design school, we are taught that we come and provide the expertise, it’s often like the white savior complex, as if we know what’s best for these communities even if we aren’t from these communities. But communities know what they need best, and that’s what we should be designing instead.”
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