This AMC spinoff follows Norman Reedus’ grizzled hero as he navigates France, and features a dynamic turn from the always-stellar Clemence Poésy
models; perhaps they received top-flight performing arts training in French schools back when they were alive. But their heads cave in just the same when met with a bullet or sharp/blunt object, and needless to say there’s a lot of that. Body count remains the red meat of theworld, the squish and splat that accompanies the walking dead’s transition to the certifiably dead. It’s hard out there for a zombie; to quote the original, they’re all messed up.
is not Reedus, as the taciturn title character, but Poésy, who has an uncanny, implacable quality that serves her both in flashbacks, as a grifting, soul-deadened hedonist, and in the present, as a true believer who still keeps both feet on the ground. Isabelle is a deliciously complicated creation, more so than the other survivors and bands of outsiders here, many of whom feel like refugees from similar projects.
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