“I was just like, “Wow!” This was really something.”
There’s no one quite like Cyndi Lauper, that’s for sure. The pop icon turned the eighties on its head with her anthems of feminine empowerment, one of the first pillars of an MTV generation that would come to be defined by bright colors, loud music, and a “we’re not gonna take it” attitude, Twisted Sister-related or otherwise.
You've done a little bit of TV and movies across your career. Obviously, your focus is mostly on music, but what does it take for a project like The Horror of Dolores Roach to really pull you in? What piques your interest in acting specifically? When I was writing Kinky Boots and I was working on Kinky Boots in the theater, I spent a lot of time like a theater rat in the theater — sitting in the corner, sitting on the floor, sitting in the orchestra, sitting all the way up, sitting on either side of the theater all the time, and became really close to the ushers.
LAUPER: Well, if you're working on a movie for somebody, you really wanna get into the director's brain and give them everything they need sonically and emotionally as the storyteller-singer. With this, I was sitting there, and I said, “Hey, do you have a song for this spot?” And they were like, “No, we don't have that.” And I said, “Well, I could write one for you.
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