Perfectly located between North America and Europe, Reykjavík has become a cultural pitstop for collectors, attracted by the Icelandic capital’s vibrant art scene, emerging gallery spaces, and ...
, an American who has visited Reykjavík regularly since 1975. ‘Our location has always been our biggest problem and our biggest asset.’
Arnarson has played a key role in establishing Reykjavík’s artistic points of difference. This January, he inaugurated i8 Grandi, the gallery’s second, significantly larger outpost that resides within Marshall House, a former fishing factory turned multidisciplinary art space.
An acute understanding of time and space is one of the qualities that makes Icelandic art so captivating. The widely oscillating climate – which transforms from the barren, snow-covered landscape during the winter months, when as little as three hours of daylight is commonplace, into a vast and verdant expanse in the summertime, drenched in supernatural, never-ending light – fosters a unique level of introspection within all who live there.
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