The cathartic goal of this genre is to purge the shame of the Black middle and upper class for abandoning the poor.
he conjured in his typewriter was a low-level mafia leg-breaker baited to fight the flashy, loudmouthed Black heavyweight champ, Apollo Creed.was a mirror reflecting white grievance, the vast “Silent Majority” of white, working-class conservatives that President Nixon called upon in 1969, who resented the social movements of the 1960s.
“…in here, there are two guys killing each other. But I guess that’s better than 20 million … what I’m trying to say [is], that if I can change and you can change, everyone can change!”inherits the franchise’s formula of two men fighting as a political allegory. The racial imagery has shifted, with Michael B. Jordan now the Black tragic hero struggling to make right his father’s legacy. But the class politics are conservative.
Class lines have always been drawn in Black America. The first clear division was between free Black people and the enslaved, but within plantation life, other gradients were used to measure status: house or field work, skin color, education or pedigree. In antebellum slave narratives such as the 1861 book,Harriet Jacobs expressed that she didn’t feel like a slave because of her family’s position.
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