Clerks III isn't just the final chapter of KevinSmith's trilogy. It delivers a surprisingly powerful look at how much we've all changed since 1994.
At no point in the lead-up to seeing Clerks III did I expect filmmaker Kevin Smith’s latest movie to take me on an emotional journey that would leave me wistfully pondering the last 27 years of my life. And yet, halfway through the film, there I was, wiping tears from my eyes between all the dick jokes and celebrity cameos.
That routine is upended when Randal suffers a heart attack, and his near-death experience prompts him to finally make a movie of his own instead of obsessively discussing other people’s films. He convinces Dante to help him, and the pair set out to make a movie about his life — one that becomes increasingly familiar as it morphs into, well … Clerks.
Right in the feels Although Clerks III delivers plenty of the irreverent, low-brow humor and biting commentary that Smith’s films do so well, it also provides some impressive moments of raw, real emotion. The film asks even more of O’Halloran, though, as Clerks III finds Dante already struggling to cope with a horrible tragedy before he faces the possibility of losing Randal, too. O’Halloran rises to the occasion and delivers what could arguably be one of the strongest performances by any actor in Smith’s films to date, wringing every ounce of pathos from Dante’s emotional journey.
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