How we got to Bros: A roundtable about representation and progress with the writers behind some classic gay rom-coms
] I very much had my personal or political goal at the time, and probably still do: to basically make things that didn’t exist for me when I was growing up. When I was growing up, I really loved rom-coms and I loved spy movies. I just love genre. But I was always recasting everything. Like inCharlie’s Angels
, I’d watch that show and make Sabrina and Kelly be together or whatever. So when I finally was like, Okay, I’m going to be a filmmaker, it really was just to make what I thought was funny and fun and sexy. I was trying to make something that didn’t exist. And because it didn’t exist, it became political—because it didn’t exist for political reasons, right?], I was operating under a very “Trojan horse” mentality.
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