We spoke with the EPs behind ClassOf09 about telling a story across three timelines, the role of AI, and how the story was inspired by a class photo.
The FX Networks series Class of ‘09 is a limited thriller that follows a class of FBI agents at three points in time , who must figure out where they fit at the Bureau, what kind of agents they are, and who they are to each other. The lives of Tayo Michaels , Ashley Poet , Hour Nazari and Daniel Lennix are intertwined and their relationships are pushed to the limit, as artificial intelligence begins to play a bigger role in the U.S.
TOM ROB SMITH: It started with a class photo. That was probably the first thing. I just love class photos. I think they’re really interesting. It can be any literally anyone’s class photo. You could show me yours. You can see the way people stand and their posture. I just feel like there’s something about those photos which is unique, in the sense that everyone is so aspirational in different ways. They show what happens to people from school and from college.
Joe, I first spoke to you when you did the first Black Panther movie. After a project like that, where so much success and such a big spotlight is put on you, what made you want to have a hand in telling this story? What reeled you in with this, as a director? COLE: When I came on, they had already shot the first block, so there was a sense of a visual style. The cinematographer, Tari Segal, really set the look of the show. What I was able to do was to say, “Okay, how are we gonna approach this sequence and that sequence?,” and think about, in some regard, how the future might feel, juxtaposed with some of these other timelines. I added a little bit to that, but they had a sense of what the show was gonna look like before.
As a viewer, the character dynamics are always so interesting and important to me, and it’s especially interesting over different timelines.
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