Christopher Nolan says OppenheimerMovie isn't all in black-and-white - in fact, it uses color like Memento 😯 'I very much loved the structural assistance and the aesthetic charge of shifting between color and black and white that I had on Memento.'
Christopher Nolan reveals that Oppenheimer brings back one visual trick he previously used on Memento. Released in 2000, the visionary director's breakout film follows Guy Pearce playing a man suffering from anterograde amnesia, a type of short-term memory loss that prevents him from forming new memories.
SCREENRANT VIDEO OF THE DAY During a recent interview with Total Film , Nolan reveals that Oppenheimer will use the same visual trick as Memento. While the Oppenheimer trailer announcement and early images were presented in black-and-white, the upcoming film will not be entirely in grayscale and will feature sequences in color, the director confirms.
I very much loved the structural assistance and the aesthetic charge of shifting between color and black and white that I had on Memento. I’d always been looking for a reason to go back to that. And in the case of Oppenheimer and the way in which we tell this story, it’s very subjectively [told], but also with a more objective story strand that intertwines with that. It was really the perfect time to go back to that device that I loved so much.
Cillian Murphy has collaborated with Nolan on five previous films - The Dark Knight trilogy, Inception, and Dunkirk - though Oppenheimer will be his first lead role for the director. Murphy is also surrounded by a star-studded supporting cast that includes Emily Blunt, Robert Downey Jr., Matt Damon, Florence Pugh, Rami Malek, Kenneth Branagh, and Gary Oldman, among others.
Also, as a historical biopic about the father of the atomic bomb, Oppenheimer will be a bit of a departure from Nolan's recent work, which has been mind-bending action spectacles. Despite being "a story of immense scope and scale," as Nolan describes it, Oppenheimer signifies a return to his humble roots in Memento, which includes reviving the technique of shifting between color and black-and-white.
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