And not upset about it
Céline Dion ended her residency at the Colosseum at Caesars Palace on June 8. “I definitely have mixed emotions about this final run,” Dion said in a statement announcing her decision. “It’s been an amazing experience, and I’m so grateful to all the fans who have come to see us throughout the years.”
Q: Writing a book is a huge commitment and a big undertaking; what fuelled your curiosity about her and ultimately made you chose to write this book? A: I’d had an idea for a long time to investigate what shapes people’s aesthetic tastes and the ways that clashes in tastes mirror social divisions. But it always seemed a little bit abstract as a book idea. Then the editors of the 33 1/3 series of books about albums asked me if I’d be interested in writing something for them.
Q: Céline is recognized as a cultural ambassador and a grounded star. In your opinion, what sets her apart from other Canadian cultural icons? A: For one thing she’s just much more famous than almost anybody Canada has produced, on a global scale, not just in the English-and-French-speaking worlds but across Asia, Africa, Latin America. There’s not a lot of precedent for that with Canadian artists.
Q: Losing her husband and manager René Angelil forced her to take control of her career for the first time. How do you think she navigated through those challenging times? A: Aside from her personal sorrow, of course, all signs are that she’s thriving on it. She’s out and about at fashion events and award shows and, in the media, you can feel a kind of freedom and confidence radiating from her that wasn’t there when she had a boss for a husband.
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