Cats, politics, and revelations — Taylor Swift gets real in Miss Americana documentary: Sundance review
has always held on to a quixotic sort of privacy, a hidden door behind the pop-star-next-door persona. So it was surprising maybe to hear that she’d finally chosen to go where so many of her peers have gone before: allowing herself to become the subject of a feature-length documentary.
Except in many ways, Swift doesn’t really have peers; at 30, she’s already one of the most critically and commercially successful artists of all time — the rare mainstream star who actually writes her own songs, and turns out hugely successful albums with a regularity you can almost set a watch by. .
It all feels appropriately intimate and on brand, a smartly calibrated glimpse into the 24-7 terrarium of modern fame.
The takeaway, whether Swift is talking about the Tennessee Senate race or why she puts chips in her burritos , isn’t just that she’s articulate and impassioned and has a dry, sneaky wit; it’s that you wish you’d seen more of this Taylor a long time ago. But that’s the point of the whole movie, maybe: She was always there; it just took her 30 years to get to here.
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