The artist talks AnOther through her vast found photography collection
Although the images Winant compiles are untethered from the chilly confines of the gallery wall – a context Winant associates with an “orgiastic capitalism” – this isn’t to say they don’t bear affinities with what we call “fine art photography”. A dog’s leap through a flaming hoop is caught with textbook precision, while the close-crop of a woman’s self-breast examination is abstract like a seashell.
Cutting and pasting – which has long been a political tool in the feminist inventory, from Hannah Hoch’s
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