An interim report from California's Reparations Task Force takes aim at the entertainment industry's historic inequity: 'Federal and state governments allowed white Americans to steal Black American art and culture with impunity.'
. “Federal and state governments allowed white Americans to steal Black American art and culture with impunity,” the report states, “depriving Black creators of valuable copyright and patent protections.”
“What I like about this report, and particularly the chapter about African-American creative, cultural and intellectual life, is that not only does it catalog the harms against the African-American community from the trans-Atlantic slave trade to the present, but it also talks about the vast contributions of the African-American community in spite of, or despite, those ongoing harms, oppression and genocidal tactics,” Moore tellsOne of the many dozens of scholars whose work is cited in the...
“One thing that people object to with reparations is this idea that, ‘My ancestors were slaveholders; I had nothing to do with this,’” Greene toldthis year. “In the music space, that is a harder argument to make, because it’s an ongoing harm, rather than an ancient harm. Because copyright terms are so long, a lot of these works [that have never been properly credited to their originators] are still valuable. They’re still generating income.
The report points to artists like Arthur Crudup — the Black Mississippi blues artist who tried, largely unsuccessfully, to seek royalties for widely covered compositions like “That’s All Right Mama” in the rock era — as demonstrative of this dynamic.
Created in 2020 by governor Gavin Newsom, California’s reparations task force is the first of its kind in the United States. Its interim report was released by the state’s Department of Justice, and it is expected to issue a final report in July 2023.
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