From the BUST Archives: Known best for her antiwar anthems and work for Native American rights, folk music legend Buffy Sainte-Marie talks to BUST in 2009. buffysaintemarie indigenouspeoplesday Indigenousmusic
Throughout her 47 years in show business, Sainte-Marie has always done things on her own terms, and she has piles of awards to show for it, including an Oscar and a Golden Globe for her most widely recognized songwriting credit, “Up Where We Belong,” which she penned for the 1982 film An Officer and a Gentleman.
B: Some of your songs feature you playing an unusual instrument called a mouth bow. Can you explain what it is and how it’s played? That was one of the reasons I’ve always felt comfortable making all different kinds of music. It comes out of that broad perspective, instead of being like the Supremes with songs that are all a certain style. Usually that’s the way it’s done. It makes it easy for record companies to figure out what bin to put you in. I mean, who the heck knows what bin to put my music in?BSM: That’s it. They call it folk.
BSM: I think I’ve learned the most about femininity and the effectiveness of women from my friends in the Iroquois Confederacy from upstate New York, on the Canadian border. That whole Iroquois Confederacy was made up of matriarchies, and their government used 100 percent of the brain power available, not just male, sexually aggressive, testosterone-based brain power. They used the feminine side as well, and there’s a big difference in legislation by women.
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