Buck Henry ‘Graduate’ Writer and ‘Get Smart’ Co-Creator, Dies at 89
” captured a generation’s frustration with their parents’ conspicuous consumption and rigid expectations, died Wednesday in Los Angeles. He was 89.,” from a novel by Charles Webb, launched Henry’s film writing career, which also included memorable 1970 adaptations of Joseph Heller’s “Catch-22” and Bill Manoff’s hit Broadway play “The Owl and the Pussycat.” He also adapted Joyce Maynard’s novel “To Die For” for the 1995 Gus Van Sant film that starred Nicole Kidman.
Henry was one of the writers of the smash 1972 screwball comedy “What’s Up, Doc?” And he shared a co-director Oscar nomination with Warren Beatty for 1978’s “Heaven Can Wait.” Henry also appeared in the hit film as an exasperated, bureaucratic angel. ” for NBC. Brooks exited after the pilot episode, but Henry stayed for two seasons, winning his second Emmy in 1967 for the two-part “Ship of Spies.” Henry once said it made him happy to hear that real FBI and CIA guys liked “.
Henry, who appeared in “The Graduate” as a hotel clerk, was the fourth screenwriter hired by Nichols. Starting from scratch, he toned down the smugness of Benjamin Braddock, the character played by Dustin Hoffman. He also invented one of the film’s most memorable lines, in which a middle-aged businessman offers Braddock advice about his future: “I just want to say one word to you — plastics.” That piece of dialogue was not in the original novel.
Between 1976 and 1980, Henry hosted “Saturday Night Live” 10 times. The “Samurai” sketches with John Belushi were among his most popular. He played Mr. Dantley, who seemingly understood every word of Belushi’s fake Japanese. More controversial were his two Uncle Roy sketches, with Henry playing a giddily pedophilic uncle babysitting Laraine Newman and Gilda Radner. The sketches ended with “I think there’s an Uncle Roy in every family.
In 2009 Henry appeared Off Broadway in Lisa Ebersole’s play “Mother,” but the New York Times panned, blaming the writer.
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