The Bill Skarsgård-led feature revels in its on-screen action and violence.
The Big Picture The original trailer concept for Moritz Mohr and Arend Remmers's Boy Kills World didn't skimp on the violence and stylish action as the deaf-mute Boy tore through a group of thugs. With slow-motion shots, satisfying blood splatters, choreography that emphasized the damage the unlikely action hero inflicted, and a dash of humor from the narration, it sparked intrigue for what could be done with a feature-length production.
"Well, what we had to do to even get a basic picture of how the action should look was doing all these pre-vis things where Dawid Szatarski, the action director, worked out the general gist of the scene. Then we talked about it, then we made the changes according to the script, and then he shot the first draft of it in a warehouse, in the stunt facilities, basically, then re-did it on set on the day.
"The crazy challenge you have, like Mortiz covered, is you’ve got the action sequences, the drama sequences, the humor beats, and they're all having to work together. Dawid and Moritz created these crazy action sequences where Dawid wanted to create fight sequences that included things that he's always wanted to do as a stunt designer and coordinator and never been allowed to do, and we sort of turned him loose and said, 'You go ahead, Dave.
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