That positions the $185 million, R-rated James Gunn-directed DC Films sequel for a $7.2 million (-72.5%) weekend and a mere $42.4 million ten-day cume.
’s case, it was the last biggie of summer and it played fine to general audiences who just wanted a Batman/Joker/Harley and/or Will Smith superhero movie. Cue a $325 million cume , leggier that summer thanstuck around by virtue of having little-to-no competition, earning $46.5 million from a $16.7 million debut for a 2.78x multiplier.Fantastic Four. There is no way that you can’t blame the sheer smallness of the numbers on Covid.
Presuming a 55% drop all around, that would be an over/under $60 million debut, a $145 million domestic finish and a $366 million global cume.and only cost $90 million. Less so when you’re a $185 million-budgetedsequel. Might the strong pre-release reviews have led to a bigger opening and longer legs? Sure, but a sequel without
that made its predecessor appealing was always a long shot. Hiring James Gunn to direct a DC Films flick and hoping folks would associate him with those Marvel movies they loved is not unlike Skydance hiring John Lasseter to run their animation department and hoping folks will associate it with Pixar.Guardians of the GalaxySuicide Squad
movie” was a fine added-value element, but it was never going to work as the whole pitch, especially not at $185 million. Likewise, Margot Robbie’s general audience appeal as Harley Quinn is clearly overstated by we folks in the movie news bubble, and Idris Elba has never been as big of a star as the Internet likes to pretend he is. Even on a Covid curve,Suicide Squad
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