In Jay Roach’s telling of Fox News boss Roger Ailes’ downfall by the women he harassed at the network, there’s a great pace in Bombshell, which organically makes this drama feel l…
first read the screenplay, he did so in the mindset of Roach’s style, specifically, the filmmaker’s HBO hanging chad Gore v. Bush presidential election featureBut it wasn’t all about aggressive cutting like we saw in the previous Charles Randolph-scriptedanother movie about the self interests of those in power, and the injustice they execute.
“We were never trying to make the movie fast, just play emotionally,” Poll tells Crew Call “a movie tells you what you should do if you’re honoring the performances and the story, and that’s what we did.”'Little Women': How Greta Gerwig & Composer Alexandre Desplat Put Spring In The Step Of Louisa May Alcott Novel - Crew Call Podcast
“It’s a movie with 220 scenes and when you read it, it’s like a house on fire,” says the editor, “a lot of time was spent finding the best way to begin the movie.” The first challenge in cutting entailed exactly how they should start the film. Each possible way felt like a disservice to the females that the pic is about: Megyn Kelly , Gretchen Carlson and Margot Robbie’s producer character Kayla Pospisil who is based on a handful of characters at the network.
“We hit our start date and our finish date,” says Roach about the $32M production, “and stayed on budget during the entire process. We were never over-budget.”filmmaker was first tapped to direct by Theron. “I was hooked on it originally by what the predicament felt like. I knew about Megyn Kelly a little bit and watched her take on Donald Trump and I heard a lot about Gretchen Carlson and I was there when Roger was fired in Cleveland at the convention.
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