Black Midi: Meet England's Hot New Noise-Rock Weirdos

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Black Midi: Meet England's Hot New Noise-Rock Weirdos
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Black Midi are one of the most hyped new bands in the world, despite (or because of) a sound that's tailor-made to challenge and bewilder listeners

The band met while attending London’s prestigious BRIT School, an arts and music academy that numbers Adele and Amy Winehouse among its illustrious graduates. Greep and drummer Morgan Simpson bonded over their shared love of jazz fusion, especially John McLaughlin’s Mahavishnu Orchestra; bassist-keyboard player Cameron Picton is a fan of West African highlife and Congolese soukous; guitarist Matt Kwasniewski-Kelvin was partial to classic rock and Japanese noise bands like the Boredoms.

The sound they began shaping during those jams, which could approach two hours in length, was an explosive yet subtle mix of tumultuous guitar interplay, ambient texture, and knotty, propulsive rhythmic attack. They got their first gig at the Windmill, a Brixton club with an open-minded booking policy, playing for 15 people including a couple of their dads who helped transport gear. That gig became a weekly residency.

After being courted by “loads” of labels, Black Midi signed to Rough Trade, impressed and reassured by the label’s founder, Geoff Travis, a legendary figure in the U.K. independent music scene. “He said that we reminded of him when he saw King Crimson in the Sixties,” says Greep, “so that was pretty cool.” were written by individual members and presented to the band to be honed into finished tracks.

Black Midi’s embrace of the somewhat fraught word “jam,” and all the Phish-ily un-punk undertones it comes with, gets at a freewheeling, open-ended attitude that can make their at times abrasive music feel more welcoming than one might expect.

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