SAN SEBASTIAN — Basque cinema is attacking the future with higher industrial and creative expectations than ever, playing off two motors: Co-production with other parts of Spain, internationa…
SAN SEBASTIAN — Basque cinema is attacking the future with higher industrial and creative expectations than ever, playing off two motors: Co-production with other parts of Spain, international equity partnerships.
“There is an artistic and entrepreneurial ambition to make films that can reach the global market,” says Señor y Señora’s Leire Apellaniz, producer of San Sebastian New Directors player “Las letras de Jordi,” by Maider Fernández, and Aritz Moreno’s Sitges contender “Ventajas de viajar en tren.”Many taboos have been torn down on the road to the new times.
With just 2,2 million inhabitants in Spain, spread over three provinces – Alava, Biscay and Gipuzkoa – the Basque Country’s home market is too small to support many bigger productions. Directed by Garaño, Arregi and José Mari Goenaga, it’s co-produced with Seville-based La Claqueta and France’s Manny Films, starring Antonio de la Torre and Belén Cuesta .
A recent dystopian future hit, Galder Gaztelu-Urrutia’s feature debut “El hoyo” marks a co-production between Basque Films, the Bilbao-based outfit run by Carlos Juárez, and Barcelona’s Mr. Miyagi. “The more we universalize and travel beyond our borders, the more our cinema will grow,” Zuazua says.
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