‘Babylon’ Review: Brad Pitt And Margot Robbie Soar In Damien Chazelle’s Wild And Turbulent Ride Through Early Hollywood

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‘Babylon’ Review: Brad Pitt And Margot Robbie Soar In Damien Chazelle’s Wild And Turbulent Ride Through Early Hollywood
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After enormous success and Oscars for films ranging from Whiplash to La La Land to First Man Director/Writer Damien Chazelle returned to an early dream project first envisioned 15 years ago, a no-h…

and more. You get the idea. Ifdoesn’t quite reach those heights, it is guaranteed to be a movie that will stay in your head, a swing-for-the-fences journey through an unimaginable rabbit hole of excess and jaw dropping behavior that stands alone in 2022 and more than earns its stripes.

Flea plays a studio fixer; Max Minghella is the legendary studio wonder boy Irving Thalberg; Rory Scovel plays The Count who wants to act but survives by providing the drugs everyone needs to operate on these levels of craziness; Eric Roberts as Nellie’s dad; Katherine Waterston as one of Jack’s many wives; and on and on. The Extras number way too many to count, but all seem comforatble in various stages of Orgiastic undress.

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