The new wave of high-class horror rolls on with “Midsommar”, a sinister, slow-burning film
THE NEW wave of high-class horror rolls on with “Midsommar”, a sinister, slow-burning film by Ari Aster, which is being hailed by many critics as one of the best of the year. Following the director’s acclaimed debut, “Hereditary”, Jordan Peele’s “Get Out” and “Us”, John Krasinski’s “A Quiet Place” and Luca Guadagnino’s “Suspiria”, “Midsommar” is a horror movie with crossover potential.
Too long, perhaps. As anyone who has seen Robin Hardy’s British cult classic “The Wickerman” will know, things never end well for outsiders who poke their noses into an isolated community’s pagan festivities—sex and ritual sacrifice are usually involved—and “Midsommar” comes to much the same conclusion as that film, or indeed any other folk-horror mystery. The difference is that it takes 140 minutes to get there.
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